(smiles thinly) Biography is the lie we tell to make death tidy. Thisâ (touches the boot) âthis is residue. The museum is not a mausoleum. Itâs a drying rack for ghosts.
(calmly) Thatâs Alma. 1927. She recorded it between performances of Jedermann . The wax cylinder is in case 14. The voice leaks. Always at this hour, when the sun hits the courtyard just right. She doesnât know sheâs dead. theatermuseum wien
I came to understand why anyone would keep all this. (smiles thinly) Biography is the lie we tell
Sheâs always here. You just finally stopped talking long enough to notice. Itâs a drying rack for ghosts
Iâm looking for⌠I donât know. Something real. Upstairs itâs all glass and labels. âMax Reinhardtâs gloves. 1905.â What am I supposed to feel?
The Theatermuseum in the Lobkowitz Palace, Vienna. Not the public galleries, but the back room: the Sammlungsdepot (collection depot). Racks of costumes on wheeled hangers, a row of plaster death masks on a high shelf, a glass case holding a tiny, intricate stage model. Dust motes float in a single shaft of light from a high window. A faint smell of old velvet, wax, and paper.