Koos Eissen ❲2025❳

For the thousands of students who have suffered through his "ellipse drills" and rejoiced in their first perfect shade drop, Eissen is the silent partner in their success. He gave them the tools to make the invisible visible. He proved that a great design starts not in a factory, but in the gut, traveling down the arm, and ending in a beautiful, messy, black line on white paper.

Eissen argues that digital tools create "premature precision." A CAD model forces a designer to commit to exact dimensions and radii before the idea is ripe. A sketch, however, is fluid. It allows for ambiguity. Eissen does not reject digital tools; he places them in their proper order: Think on paper first, then refine on the screen. koos eissen

Koos Eissen is not a household name like Apple’s Jony Ive, but within the global design education community, he is a titan. He is best known as the co-author of the seminal textbook "Sketching: The Basics" and "Sketching: Drawing Techniques for Product Designers." These books, co-created with Roselien Steur, have become the unofficial bibles in design faculties from Eindhoven to Seoul. They demystified the intimidating world of perspective drawing, marker rendering, and shadow casting, turning chaotic creativity into structured visual communication. To understand Eissen’s impact, one must understand the culture of TU Delft’s Faculty of Industrial Design Engineering. Unlike art schools that focus on expression, Delft views sketching as a cognitive tool . Eissen argues that a designer does not draw only to show a client a final result; a designer draws to think. When a designer is stuck, they do not stare at a blank screen—they pick up a pen. For the thousands of students who have suffered

He revolutionized design education by advocating for the . He requires students to fill notebooks daily, not with finished artworks, but with observations of shadows, reflections in cutlery, and the ergonomics of door handles. He believes that if you cannot draw an object from memory, you do not understand its form. Analog in a Digital World In the age of CAD (Computer-Aided Design), VR modeling, and AI-generated imagery, one might ask: Is Koos Eissen obsolete? The answer, according to the industry, is a resounding no. Eissen argues that digital tools create "premature precision

He has also embraced digital sketching (using Wacom tablets and iPads), applying his marker logic to Procreate and Photoshop. Yet, even his digital work retains the visceral, human energy of hand drawing. Koos Eissen is more than a teacher; he is the guardian of a dying, essential craft. In a world of instant renders, he reminds us that the human hand, wielding a ballpoint pen on a piece of copy paper, is still the fastest idea-to-reality interface ever invented.

In the world of industrial design, the gap between a fleeting idea and a tangible product is vast. It is a chasm bridged by skill, technique, and, most importantly, visualization. Few individuals have built as sturdy and influential a bridge as Koos Eissen , an associate professor, author, and sketching virtuoso from the Delft University of Technology (TU Delft) in the Netherlands. While many designers create products, Eissen dedicates his life to the process of creation—specifically, the art of drawing.