Jackie Chan’s first movie wasn’t an action film. It was a tearjerker. Born Chan Kong-sang in 1954, Jackie was the son of poor parents who worked for the French ambassador in Hong Kong. As a hyperactive child, he was enrolled at the China Drama Academy, a Peking Opera school run by the brutal Master Yu Jim-yuen. There, he endured ten-hour days of acrobatics, singing, martial arts, and, most importantly, pain.
His first starring vehicle was New Fist of Fury (1976), a quasi-sequel to Lee’s film. Jackie played a student avenging Bruce Lee’s character. The problem was catastrophic. The film forced Jackie into a grim, scowling, cold-blooded killer role. He wore tight bell-bottoms and a flat cap, trying to imitate Lee’s snarls and one-inch punches. But Jackie wasn’t intimidating; he was boyish and likable. When he tried to glare, he just looked constipated. The action was stiff, the story a carbon copy, and the film flopped hard. jackie chan first movies
After Drunken Master , he would go on to direct The Young Master (1980), form his own stunt team, and eventually break every bone in his body for films like Police Story and Project A . But the complete story of his first movies is not one of early glory—it is the story of a boy who learned to fall, failed spectacularly as a copycat, and then got up, laughed at himself, and invented a new way to fly. Jackie Chan’s first movie wasn’t an action film
Drunken Master was even bigger. It officially killed the “Bruce Lee clone” era and created a new genre: the martial arts comedy. Jackie had finally found his voice. He wasn’t the invincible hero. He was the underdog who got hurt, made funny faces, and won through stubborn creativity. From a terrified seven-year-old collapsing in fake snow, to an unconscious stuntman at the feet of Bruce Lee, to a failed grimacing lead, Jackie Chan’s first movies were a decade-long lesson in failure. They taught him that he could never be Lee. He had to be himself. As a hyperactive child, he was enrolled at
This was the birth of “Jackie Chan comedy kung fu.” He got hit in the face, ran away, hid behind furniture, and used buckets, brooms, and ladders as weapons. The audience laughed with him, not at him. The film was a monster hit, breaking box office records in Hong Kong and Asia. Riding the wave, Yuen Woo-ping and Jackie immediately made Drunken Master (1978) the same year. This time, Jackie played the real-life folk hero Wong Fei-hung—but as a mischievous, disrespectful teenager who gets trained in the taboo “Drunken Boxing” by a vicious master. The final fight, where Jackie fights the killer “Thunderleg” while simulating drunkenness with staggering precision, is a masterpiece of physical storytelling.