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In a world obsessed with political correctness and division, The Intouchables offered a radical, simple message: friendship doesn't require you to see eye-to-eye. Sometimes, it just requires you to laugh at the same stupid jokes. It remains a masterpiece not despite its differences, but because of them.
Why? Because every other candidate saw a wheelchair. Driss saw a man. intouchables french movie
The film’s title is a double-edged sword. In French, Intouchables refers to the Dalit caste in India—the "untouchables." But here, it takes on a delicious irony. Both men are untouchable in their own worlds: Philippe by his disability and wealth, Driss by his poverty and race. Together, they become each other’s ladder out of isolation. In a world obsessed with political correctness and
And that’s precisely why Philippe hires him. The film’s title is a double-edged sword
Upon release, The Intouchables became the second-highest-grossing French film of all time (behind only Welcome to the Sticks ). It was nominated for a BAFTA for Best Foreign Language Film and won Omar Sy the César Award for Best Actor—the first Black recipient of the award. It was later remade in Hollywood as The Upside (2017), but critics agreed the original’s raw, Gallic charm was impossible to duplicate.
What makes the film so powerful is what it refuses to do. It refuses to be a tragedy. It refuses to make Driss a saintly “magical Negro” who exists only to teach Philippe how to live. And it refuses to let Philippe be a passive victim. Instead, it’s a buddy comedy about two stubborn, flawed men who constantly roast each other. The film’s most moving scene isn't a weepy monologue—it’s Driss walking away from Philippe at the end, knowing that real love sometimes means leaving so the other can truly live.
Based on a true story, the film follows Philippe (François Cluzet), a man paralyzed from the neck down after a paragliding accident, and Driss (Omar Sy, in a career-defining role), a Senegalese immigrant recently released from prison. During a job interview for a caretaker, Driss has no intention of getting the job—he just needs a signature to prove he’s seeking work to continue receiving welfare. He’s rude, unfiltered, and openly mocks Philippe’s love for opera.