Some critics felt the film tries to cover too much. With four stories running in parallel, certain arcs feel rushed. The call-center subplot, in particular, resolves a little too neatly, almost like a made-for-TV moral lesson. Additionally, viewers hoping for a deep dive into government policy or medical frontline heroes might feel shortchanged—this is purely a social drama, not a political autopsy.
Enter (2022), directed by Madhur Bhandarkar. Known for gritty, realistic dramas like Chandni Bar and Fashion , Bhandarkar turns his lens away from glamour and toward the empty streets and fuller worries of ordinary Indians during the COVID-19 crisis. This isn’t a documentary—it’s a fictionalized, four-story anthology that feels painfully real. india lockdown movie
For international audiences, it serves as a powerful case study: how a nation of contrasts handled a common crisis very unevenly. Some critics felt the film tries to cover too much