Cross S01e07 Pdtv <2026 Release>

Worth watching for Hodge’s performance and the surveillance horror vibe, but suffers from pacing lulls and a familiar twist.

Isaiah Mustafa’s Sampson gets more to do here than just be the loyal friend. He questions Cross’s judgment, and their disagreement feels earned, not melodramatic. What doesn’t work 1. Pacing drags mid-episode After a strong opening, “PDTV” spends too long on Cross staring at evidence boards and making leaps of logic without clear on-screen deduction. For a thriller, it loses momentum. cross s01e07 pdtv

Hodge continues to ground Cross as brilliant but wounded. In “PDTV,” his obsession with protecting his kids (Jannie and Damon) while closing the case reaches a breaking point. There’s a scene where he watches a hostage video of someone close to him — his silent, barely contained rage is gripping. What doesn’t work 1

If you’re binge-watching, it works as a necessary bridge to Episode 8. If you’re on the fence about the series, this episode won’t convert you, but fans of Patterson’s books or detective thrillers will find enough to enjoy. Hodge continues to ground Cross as brilliant but wounded

Here’s a review of , based on the Amazon Prime series starring Aldis Hodge as Alex Cross.

By Episode 7, Cross and his partner John Sampson are deep into the case of a serial killer targeting wealthy, influential people in D.C. The killer, known as “The Picasso Killer” or “Fanboy” in the show, has been leaving artistic, sadistic tableaux. Episode 6 ended with a major personal threat to Cross’s family. What works in “PDTV” 1. Tense, claustrophobic direction The episode title plays on “public domain television” and surveillance. Director Craig Siebels uses POV shots, security cam feeds, and tight framing to make you feel trapped. Cross is being watched — and the killer is always one step ahead.